Recentrer la musique. 1. Audiotactilité et ontologie de l’œuvre musicale: musique d’écriture, jazz, pop, rock is an especially thorough study of prior philosophical research on musical ontology, with original contributions in ontological theory around musical traditions, like jazz and pop-rock music, that have arisen with recording technology. Vincenzo Caporaletti’s theory of audiotactility, highlighted in the book’s subtitle and a driving force behind it, encourages readers to think differently about what musicians prioritize in genres that emphasize recording and live interaction.