RMO_vol.2.1_Fausshauer

Figure 11: John Philip Sousa, Tales of a Traveler, (a) “The Kaffir on the Karoo,” © John Church Co. 1914, mm. 1-24.

Figure 10b: Herbert L. Clarke, arrangement of La cathédrale engloutie, mm. 84-86.

Figure 10a: Claude Debussy, La cathédrale engloutie, mm. 84-86.

Figure 9: Herbert L. Clarke, arrangement of La cathédrale engloutie, mm. 14-15.

Figure 8: Herbert L. Clarke, arrangement of La cathédrale engloutie, mm. 69-73.

Figure 7: Herbert L. Clarke, arrangement of La cathédrale engloutie, mm. 61-63.

Figure 6: John Philip Sousa, tenth page of autograph score from the arrangement of Prélude à l’après-midi d’un faune.

Figure 5: Sousa’s dispositions in the arrangement of Prélude à l’après-midi d’un faune, mm. 44-50.

Figure 4: John Philip Sousa, eighth page of autograph score from the arrangement of Prélude à l’après-midi d’un faune.

Figure 3: John Philip Sousa, third page of autograph score from the arrangement of Prélude à l’après-midi d’un faune.

Figure 2: John Philip Sousa, first page of autograph score from the arrangement of Prélude à l’après-midi d’un faune, cf. figure 1.

Figure 1: Arrangements of six works by Claude Debussy in the Sousa Archives and Center for American Music, University of Illinois at Urbana-Champaign (SACAM).