« Interested scholars from all subdisciplines of musicology, as well as from cultural studies, archival studies, literary studies etc., are invited to submit papers that deal with the general topic of music historiography from different perspectives on theories of memory or archives and/or research practice in archives and collections. We especially encourage contributions that follow an intersectional approach, as well as those from the fields of (music‐related) gender studies and digital musicology. Paper proposals on aspects such as biographical research, canon, archival value, processes and media of tradition, accessibility and indexing, opportunities and risks of digitalization etc. are welcome. The discussion of particular case studies – without restriction to a specific time period – is as much an option as the reflection of theoretical‐methodological approaches. »
Date limite de soumission : 14 mai 2023.
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