Leong, Daphne | Revue musicale OICRM

Auteur : Leong, Daphne

Daphne Leong’s work, which focuses on rhythm, analysis and performance, and music since 1900, appears in her book, Performing Knowledge: Twentieth-Century Music in Analysis and Performance (Oxford University Press, 2019); in journals such as Journal of Music Theory, Perspectives of New Music, and Music Theory Online; and in edited collections. Leong is an active pianist and chamber musician, whose performances and recordings include premieres of current music. She has served as Vice President of the Society for Music Theory. In 2013 she received the Excellence in Teaching Award of the University of Colorado Boulder, where she is Professor of Music Theory.

Vol. 12 nº 2, décembre 2025
Rhythm in Music since 1900. Views from Theory and Practice Edited by Daphne Leong and Jimmie LeBlanc Introduction / Présentation Articles Notes de terrain / Field Notes Contribution libre / Open Contribution Comptes rendus / Book Reviews PDF Érudit INTRODUCTION Our theories and practices of musical time reflect disciplinary traditions, creative innovations, and […]
Vol. 12 nº 2, décembre 2025
Meter as a Prism. Interpreting a Theme in Sibelius’s Violin Concerto Daphne Leong PDF | CITATION | AUTEUR Abstract The lyrical second theme in the first movement of Sibelius’s Violin Concerto presents a metric conundrum: it is notated […]