Vient de paraître : Critical Studies in Improvisation/Études critiques en improvisation, vol. 14, no 2-3 (2021) : « Improvisation, Musical Communities, and the COVID-19 Pandemic » (vol. 2), dirigé par Daniel Fischlin, Laura Risk, and Jesse Stewart.
« This double special issue invited musicians, performers, scholars, arts presenters, and other cultural workers to reflect on the extraordinary challenges posed by the pandemic and to begin envisaging a post-pandemic musical landscape. As such, it provides key insights into the pandemic’s effects on artists, arts organizations, and their communities. »
Au sommaire :
- Éditorial : Daniel Fischlin, Laura Risk et Jesse Stewart, “The Poetics of Engagement. Viral Contagions and the Dream of Liveness”
- Hadi Bastani, Anna Linardou, Rojin Sharafi et Ioannis Tsioulakis, “Musical Careers in Constant Crises. An Asynchronous Dialogue from Tehran to Athens, via Belfast and Vienna”
- Juan Calvi, « La escena de las músicas creativas improvisadas en Iberoamérica. De la música en vivo a la música online y al desierto pospandemia digital »
- Monika Herzig, “What the World Needs Now is Jazz”
- Jessie Cox et Sam Yulsman, « Listening through Webs for/of Creole Improvisation. Weaving Music II as a Case Study »
- Glen Whitehead, « ‘Take it Outside, People!’: Bridging Ecoacoustics and Improvised Music »
- Kate Galloway et Rachael Fuller, « ‘Unmute’ Bread: Listening, Improvising, and Performing with Sourdough in Quarantine »
- Et plus encore.
Disponible pour consultation en ligne.