Appel de conférences du colloque et festival « Paradigmatic Revolutions. Reframing Western Music Globalism from the Perspectives of Asian Composers », Université d’Alberta, 1-5 avril 2025.

« As a legacy of Western colonialism, Western conservatory-style music education has been adopted throughout the world by cultures outside of the West, often to the detriment of regional interconnections. Consequently, Western composition has become an international practice, albeit a largely Euro-American oriented one. Mid to late 20th Century composers such as Chou Wen-Chung (China), Isang Yun (Korea) and Toru Takemitsu (Japan) were among the first composers to emerge from East Asia with compositions that incorporate Chinese, Korean and Japanese cultural meanings, aesthetics and even instruments to their compositions. Over the first two decades of the 21st century, with new generations of composers having greater international mobility, access to education in cultures beyond their own and organizations that support and encourage intra-Asian intercultural collaboration on the Asian continent and within Asian diaspora throughout the world, what is the current situation and/or current trends of intercultural composition in Asia? »

Date limite de soumission : 31 décembre 2024.

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