Appel de conférences (et installations/performances) pour le colloque « Sounds of De/Composition » (New York University GSAS Department of Music Conference), New York, 4-5 octobre 2024.
« The 2024 NYU GSAS Department of Music Graduate Student Conference invites proposals for papers, performances, audio works, and installations that engage with any or all of these registers of de/composition, across historical and global perspectives. Proposals might engage with (but are certainly not limited to) the topics listed below:
- ecologies of rot, decay, discard, and dissolve
- regeneration, life cycles, recycling, processes of undoing or stripping away
- scavenging, collage, collection, sampling, propagation
- death and afterlives, end(s) of world(s), eschatologies
- eco-horror, monsters, dark ecologies
- repulsion, grossness, ickiness, proliferation
- speculative and science fictions, magical realism, blurred fiction/reality
- alternative temporalities, altered perception, subjectivity
- corruption, distortion, static electronic or data-system failure, interference, masked information
- sites of decomposition and the entities that reside there (e.g. undergrounds, underworlds, ruins, undercommons)
- breakdown, failure, mistakes, accidents »
Date limite de soumission : 15 mai 2024.
Pour plus de détails : cliquez ici.