Appel de conférences pour le 9e colloque international sur la musique et le minimalisme, « Minimalist Intersections », Serbie, 29-31 mai 2024.
« While continuing to engage with the core minimalist repertoire, the goal of the organizers is to stimulate the study of minimalist music (and its various spin-offs such as postminimalism, “new simplicity,” and “holy minimalism”) in the countries outside of the Anglo-American and Western European mainstream—including, but not limited, to the countries of Central, Eastern, Southern, and Northern Europe.
Aside from expanding the geographical scope of research to embrace both the various global music practices that have predated and influenced the genesis of minimalist music and the development of minimalism in the countries outside of the Anglo-American/West-European core, we also aim to encourage the study of minimalist music in the context of its various intersections with electronic music, ambient music, performance art, sound installations, applied music for film, theatre, television, video games, and commercials, among others. We also welcome contributions addressing the dialectic relationship between minimalism and other 20th- and 21st-century styles, including new complexity and spectralism, for instance.
We invite submissions on a broad range of topics representing different disciplinary and interdisciplinary approaches. We welcome all scholars and practitioners including composers, musicologists, ethnomusicologists, music theorists, performers, cultural and art theorists, and other researchers from the humanities to stimulate lively debate about the past and current state of the art in minimalist music and its numerous offshoots.
Date limite de soumission : 15 janvier 2024.
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