Appel de conférences pour le colloque « Robert Gerhard’s Modernism. Techniques, Influences, Receptions, Meanings », Barcelone, 23-24 novembre 2023.

« As a lifelong ‘explorer’ of new forms of musical expression, Roberto Gerhard is a key figure in the history of 20th-century musical modernism. His early serial technique owes much to Arnold Schoenberg, the musician who exerted the most long-lasting influence on his music, but also to other early twelve-tone composers, such as Josef Matthias Hauer. During the interwar period, the work of Igor Stravinsky, Béla Bartók, Maurice Ravel and Manuel de Falla had a substantial impact on how Gerhard organized rhythm, on his post-tonal treatment of folklore as well as on the prominent interaction of octatonic and diatonic elements in his music. The influence in the pre-exile years of Alexander Scriabin, Frederic Mompou, Juli Garreta, Kurt Weill, Paul Hindemith and other major early 20th century modernist composers has yet to be explored in detail. »

Date limite de soumission : 30 mai 2023.

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