Vient de paraître : The Opera Quarterly, vol. 36, no1-2, 2021.
Au sommaire :
- Megan Steigerwald Ille, « Live in the Limo. Remediating Voice and Performing Spectatorship in Twenty-First-Century Opera »
- Tereza Havelkovà, « Minding the Gap. The Politics of the Body-Voice Relationship in Multimedia Opera »
- Danielle Ward-Griffin, « Absence Makes the Heart Grow Fonder. The Met ‘At Home’ Gala »
- Melanie Gudesblatt, « A ‘Fantasia’ Goes Digital. Heartbeat Opera’s Lady M Virtual Soirée »
- Peter Höyng, « A Visceral Circus Experience. Death Camps in the Time of Coronavirus »
- Juliana Snapper, Nina Sun Eidsheim, Michal Grover-Friedlander, Jane Forner, and T. Nikki Ceasre Schotzko, « Review Colloquy. ‘7 Deaths of Maria Callas’, Live stream from the Bayerische Staatsoper, Munich, September 2020 »
- Kirsten Paige, «Opera’s Inconvenient Truths in the Anthropocene Age. CO2 and Anthropocene »
- Giles Masters, « Harriet Boyd-Bennett, Opera in Postwar Venice. Cultural Politics and the Avant-Garde »
- Et plus encore.
Pour plus d’informations : cliquez ici.