Vient de paraître : American Music, vol. 38, no 1 (printemps 2020).
Reciting Parsifal. Opera as Spoken Word Performance in America
Marian Wilson Kimber
From the Sidelines. Reginald Beane’s Broadway
Musofun. Joseph Schillinger’s Musical Game between American Music, Soviet Avant-Garde, and Combinatorics
From “the chord was king” to “a dynamic journey”. Changes in the Barbershop Quartet Style in Contests since the 1950s
Robert G. Hopkins
The Original Blues. The Emergence of the Blues in African American Vaudeville, by Lynn Abbott and Doug Seroff; May Irwin. Singing, Shouting, and the Shadow of Minstrelsy, by Sharon Ammen; Vaudeville Melodies. Popular Musicians and Mass Entertainment in American Culture, 1870-1929, by Nicholas Gebhardt
“Very Good for an American”. Essays on Edward MacDowell, edited by E. Douglas Bomberger
Jacob A. Cohen
Charles Ives’s “Concord”. Essays after a Sonata, by Kyle Gann
On the Road and Off the Record with Leonard Bernstein. My Years with the Exasperating Genius, by Charlie Harmon; Famous Father Girl. A Memoir of Growing up Bernstein, by Jamie Bernstein
Ann Glazer Niren
Unlimited Replays. Video Games and Classical Music, by William Gibbons
Disponible en ligne : https://www.jstor.org/stable/10.5406/americanmusic.38.issue-1.