• Vol. 5 nº 1, février 2018

    Virile Condottieri On-screen and Emasculated Heroes
    on the Operatic Stage: Portraying Male Protagonists
    in Fascist Italy (1931-1937)

    Zoey M. Cochran

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    Abstract

    Virility was central to Italian fascist ideology and yet the operas composed and performed in Italy during the 1930s systematically subvert the virility of their heroes both dramatically and musically, revealing a more fraught relationship with fascist ideology than […]